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Photos on Plexiglass
180/120 cm, C-print on plexiglass
The explanation of inevitable fear of darkness as originating in man's ability to populate it with phantoms, is deflated with cruel irony. One needs to just pull out of darkness the first object caught by the lens. It can be, for example, a match box, and what's frightening is rather the persistence of its shadow that turns out to be far more real than the object itself.
"...Suddenly banal and concrete objects become abstract with a special camera angle."